Carceri d'Invenzione (1745-1761) by Giovanni Battista Piranesi
The imaginary prisons of Piranesi have haunted many (even some who had never seen them!) since they were etched in the 18th century. Here is a famous reference to them by Thomas de Quincy:
Many years ago, when I was looking over Piranesi's Antiquities of Rome, Mr Coleridge, who was standing by, described to me a set of plates by that artist, called his Dreams, and which record the scenery of his own visions during the delirium of a fever. Some of them (I describe only from memory of Mr Coleridge's account) represented vast Gothic halls: on the floor of which stood all sorts of engines and machinery, wheels, cables, pullies, levers, catapults,.&c. &c. expressive of enormous power put forth and resistance overcome. Creeping along the sides of the walls, you perceive a staircase: and upon it, groping his way upwards, was Piranesi himself: follow the stairs a little further, and you perceive it come to a sudden abrupt termination, without any balustrade, and allowing no step onwards to him who had reached the extremity, except into the depths below. Whatever is to become of poor Piranesi, you suppose, at least, that his labours must in some way terminate here. But raise you eyes, and behold a second flight of stairs still higher: on which again Piranesi is perceived, but this time standing on the very brink of the abyss. Again elevate your eye, and a still more aerial flight of stairs is beheld: and again is poor Piranesi busy on his aspiring labours: and so on, until the unfinished stairs and Piranesi both are lost in the upper gloom of the hall. -- With the same power of endless growth, and self-reproduction did my architecture proceed in dreams.
Thomas de Quincy in Confessions of an English Opium Eater, 1821, p. 106
Use Google Streetview to wander through the Machu Piccu Museum in Cusco, Peru, Home to the largest collection of Machu Picchu artifacts in the world...
The Smithsonian American Art Museum has some terrific online exhibitions. Here is one of my favorites. Under each item you will also find a video interview with the artist...
Always have found Chinese Porcelain Art fascinating with its intricately detailed pictures of people, creatures and landscapes. Elim Museum of Chinese Ancient Porcelain Art is a non-profit organization. From a private collector’s prospective, we focus on collecting, preserving, and classifying those “stylish and characteristic” ancient Chinese porcelains from the collectors around the world. By means of on-line display, a portion of our collection that we believed to cherish relatively a higher aesthetic and academic value, will be periodically unveiled to the public in purpose of promoting further research and discussion, as well the general appreciation. We hope our collections (it is currently limited to Song,Yuan, Ming and Qing four dynasties) will be a more broader representation of ancient Chinese porcelain art to demonstrate objectively its historical progression and achievements.
They also have an excellent 3D display exhibition that allows you to rotate items to see all sides...
Those garish Greeks and Romans! When the great Renaissance sculptors looked at austere Greek and Roman sculpture with awe and admiration, little did they realize that most of those statues were painted in what we would now consider a rather garish manner. Here is a famous statue of Augustus Caesar and behind it what current research suggests it looked like back in Roman times...
Sheila Hoffman looks at colour in ancient Greek sculpture...
Also check out the excellent University of Kent blog page devoted to the true colors of ancient statues..
The Smithsonian has an excellent page about the archaeologist Vinzenz Brinkmann who has done extensive and painstaking research into the painting of Greek Statues...
Atlas allows the direct online consultation of 30, 000 works of art exhibited in the Louvre. Online visitors can access the basic information displayed on labels accompanying works in the museum, together with authoritative commentary and analysis by the curators and staff.